A feminine phantasmagoria, Nobuhiko Obayashi’s HOUSE uses meta-narrative, fairytale…
“His blood and brains were in my lap.”
Ghouls, ghosts, and goblins are plenty frightening, but in 1944’s American adaptation…
So shocking it (allegedly) made some audience members pass out, Julia Ducournau’s RAW roars…
“I sit in a glass booth between the theater and the street.”
A 1980s-set Polish coming-of-age musical about two mermaids based on THE LITTLE…
Laurie Strode. Nancy Thompson. Ellen Ripley. The holy trinity of final girls.